Of course, the Control will also function with other MIDI apps, but using it with the Novation apps is a no-brainer. The iPad will happily power a single Mini you can use a mains powered USB hub to connect two at once. To connect to an iPad, you need Apple's Camera Connection Kit. Also the Launchkey and the Launchpad Mini use mini-USB to connect, while the Launch Control uses full-size USB. It's not a huge problem either way, but something to ponder when choosing. The pads on Launch Control's sister model, the Launchkey, are velocity sensitive, but the Control's aren't. One thing that could be confusing is the pads. Logic remembers MIDI assignments across projects, so you only need to set this up once. The Control is a perfect companion for Logic Pro X's Smart Controls - 12 on-screen knobs that take over the currently selected device. "The Control is a perfect companion for Logic Pro X's Smart Controls" There's also a dedicated on-screen editor, which adds further flexibility. With user presets as well, the Control made a great little controller for Live. After configuration in Live's Preferences, the device had immediate control over Live, with three separate templates, covering more detailed mixer functions, sends, clip launching, and device control. Novation has made set-up as straightforward as possible, whether you're using it with the free iOS apps, or with Ableton Live, Logic Pro, and FL Studio, or any other DAW, on the computer. In terms of build quality the Launch Control doesn't feel particularly delicate, and it's not as teeny as you might think. Eight factory and eight user banks provide many times more control per square inch of surface area. The pads aren't velocity sensitive, but they're still backlit with those three-colour RGB LEDs. You can never have too many knobs in your studio, and the Launch Control is a cheap and compact way to add 16 more, along with eight pads. A suite of controllers that are truly portable between your studio and mobile devices is pretty tantalising. These devices are buss-powered from computer or iPad, and also compatible with Windows, OS X, and Linux. If this was just about the smaller designs, that would be interesting enough, up to a point, but it's also about compatibility. It feels like a bit of a missed opportunity that the Send knobs can't be used to control device parameters like the Pan knobs can, but that's certainly not enough of an issue to prevent us giving it our wholehearted recommendation."If this was just about the smaller designs, that would be interesting enough, up to a point, but it's also about compatibility" The sturdy design makes it ideal for live performance, but it's quite at home as a mixing tool in the studio too. The Launch Control XL is a very well thought-out controller that packs a lot into its relatively tiny surface area. There are also two Send Select buttons for selecting which sends in Live the Send A and Send B knobs control. So, once you've got the hang of how the modifiers work, you can select any device on any track and tweak its parameters without touching your mouse or keyboard. When held, the Device button also turns the Track Select buttons into Device Select buttons, which cycle through the instruments and effects on the currently selected track. This setup would be much better if the Send A and Send B knobs could also be used for device control, but as it stands, the only way to get access to all of the controls is to create a user template - see Template of Dreams. In the case of EQ Eight, for example, the first bank sees the knobs controlling each band's on/off state, the second band frequency, the third band Gain, and so on. The Device modifier button switches the Pan knobs into Device mode, under which they control eight of the currently selected plugin's parameters.įurther parameters can then be accessed by holding down the Device button, which turns the Track Control pads into Device Bank selectors, each with its own Pan/Device knob assignments. The Track Select buttons jump the whole controller between banks of eight channels in Live: 1-8, 9-16, 17-24 and so on. Pressing Track Focus on a channel selects that channel's strip in Live, as if you'd clicked on it, while Track Control has three modes of operation, selected using the buttons on the right-hand side of the unit: Mute, Solo and Record Arm - it's all very straightforward.
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